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St Ives Photographic Club |
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Affiliated to the Photographic
Alliance of Great Britain through the East Anglian Federation
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Simple Astrophotography
Paul Money has kindly given us the following tips for successful simple astrophotography.
Film
Slow film (eg ISO 100) will record few stars on an unguided exposure, but with little grain. Fast film (eg ISO 1600) will produce a more densely populated star field, but with much greater grain.
Exposure guide for constellations, starfields and very bright comets
Open your lens to its widest possible aperture. F-stops of f/2 or f/2.8 are ideal.
| Focal length | Area of sky | Max exposure time before trailing occurs (approx) |
| 28mm | Polar regions | 60s |
| Celestial equator | 40s | |
| 50mm | Polar regions | 30s |
| Celestial equator | 20s | |
| 135mm | Polar regions | 12s |
| Celestial equator | 8s | |
| 500mm | All | 3s (Not worth using unless the film has an ISO rating of 10000n or higher!) |
Star trails, including meteors
Exposures greater than those quoted above: exposures of several hours are possible. Stop the lens down to f/5.6 or f/8 depending on sky conditions. Use any lens up to a 300mm.
Lunar halo
As for constellations above. Use a 28mm lens or wider for the complete halo.
Lunar details, including eclipses
Use a 500mm lens at f/8 and bracket either side of the guidelines below. The figures assume a film speed of ISO 100 and should be taken as a guide: atmospheric conditions can have a large effect.
| Slim crescent | 1/125s |
| Half crescent | 1/250s |
| Full moon | 1/500s |
Planets
As for starfields above. To all intents and purposes, all planets except Mercury appear as points. Take a twilight reading and bracket on either side.
Aurora and noctilucent clouds
Twenty seconds on fast film and up to sixty seconds on slow film when using a 50mm or 28mm lens at an aperture of f/2 or f/2.8.
Artificial satellites
It's best to use a 50mm lens and expose as for startrails or starpoints as the satellite, if bright enough, will make a trail on the film anyway.
In general
Always be prepared to bracket the exposure either side of what you think is right. Be prepared to take a lot of frames in order to get that one shot that everyone thinks is a wow!
visitors since 08-Oct-2003
Page last updated:
15-Jan-2008 7:32